Pang YongJie
龐永傑被公認為倡導中國“後當代抽象”運動的傑出中國藝術家之一。他塑造了一種非正統的抽象具象繪畫風格，因其對肉體人物的性感和俏皮的渲染而獲得認可。
2018 年 3 月 25 日，由中國收藏家協會當代藝術收藏委員會與中國國學院共同舉辦的“最具市場收藏潛力當代藝術家”在北京鳥巢向社會隆重推薦。經過當代藝術收藏委員會藝委會嚴格評選，推出最具市場收藏潛力當代藝術家——龐永傑。
龐永傑的油畫作品以流暢、風格化的技法，大面積的色塊鋪設，通過對人物形像傳統釋讀意義的消解，大氣而現代的手法，以靈魂的具象和人性的寫真，直接地、坦誠地、勇敢地直逼本性，與觀者的心靈共鳴。觀看他的作品，如沐浴觀念藝術的陽光，感知到了簡約、曠達、純淨、空靈的優雅。 。
龐永傑自述說藝術是一種宗教情懷，特別對於我這樣以藝術為生的人來說，它是一種救贖方式。每天的工作就是祈禱，通過這種自我完善的過程，來感知矛盾與衝突、種族與階級，感知社會、人生、天空、大地，對這寬廣的一切，我是通過藝術 —— 一種極簡、單純的方式來表達自身感悟的。 。 。 。 。 。我試圖達到，當站到我的作品面前，會有種幻覺，讓人暫時忘卻繁瑣，接近空靈；或安靜或思考，介入世界間更寬廣的聯繫，衍生出悲憫之心。
在龐永傑的油畫作品中，你可以看到總有一種女性形象符號，非常的簡潔抽象，又很接近中國唐朝圓潤豐滿的仕女的形象：她們丰乳肥臀，紅唇兩點，姿態放鬆，神情慵懶，在曖昧的暖橙色調下有一種說不出的釋然。觀者在這些慵懶的“小姐們”的簇擁下不禁心生搖曳，放鬆心神，會心一笑。
Pang Yongjie is recognized as one of the leading Chinese artists who championed China’s “post-contemporary abstract” movement. He has shaped an unorthodox abstract figurative painting style, gaining recognition for his voluptuous and playful rendering of fleshy human figures.
On March 25, 2018, it was jointly organized by the China Association of Collectors and Chinese Contemporary Art Collection Committee to nominate Pany Yongjie as the “Contemporary Artist with the most potential for market collection.”
Pang’s oil paintings use smooth and stylized techniques, brushstrokes of color in large areas. The dispelling of the traditional interpretation meaning of the character image, the magnificent and modern technique, with the concrete image of the soul and the writing of human nature. True, direct, frank, brave and natural approach, resonating with the viewer’s soul. To look at his art is to bask in the sunlight of conceptual art. The feel of simplicity, broad-mindedness, purity, and ethereal elegance…
Pang stated that art is a kind of religious sentiment, especially for people like him who live by art, perhaps even as salvation. Every day’s work is a prayer, and through this process of self-improvement, he perceives contradiction and conflict, race and class, society, life, the sky, and the earth. “I express my feelings through art in a minimal and simple way . . . I’m trying to achieve a certain feeling for when someone stands in front of my artwork, there will be an illusion that makes people forget the cumbersome, instead move closer to the soul, quiet space or thought. To enter into a broader connection to the world, deriving compassion.
In Pang’s oil paintings, you frequently see a female image. Jie’s minimalistic brushwork is abstract and simple, of images very close to those of the plump ladies in Tang Dynasty, China: they have plump breasts, big bottoms and red lips. Their posture is relaxed, the look is lazy, and there is an indescribable relief under the ambiguous warm orange tone. The viewer is surrounded by these lazy "ladies", they can’t help but sway in their hearts, relax their minds, and smile knowingly.
